(revised and with links, as an earlier draft was posted without polishing)
First of all, kudos to City Paper's Lee Gardner on his recent article on the state of film distribution and exhibition in America's increasingly On Demand digital marketplace. Worth a read.
The Senator theater will be sold at auction on Wednesday, July 22nd. The screenings of The Yellow Submarine have stopped, and the most recent updates have raised the (purely speculative) specter of the theater being turned into a church by a potential buyer. The most recent e-mails have called for volunteers to help re-paint the many iconic commemorative sidewalk blocks outside the theater. Let us hope that the participants have artistic abilities that match their volunteer zeal.
Several years ago, the summer was a slow time for the Charles theater. It seems that this slowness has returned, with the era of the fake indie summer hit award-winner loss-leader coming to an end (the most recent casualty seems to be Paramount Vantage, which appears to be going through a significant shake-up). You combine the reality of the marketplace with the Landmark Harbor East's poaching of anything with any potential for profit, and Away We Go into a particularity slow season for the theater. Recent screenings of the entries for the Baltimore edition of The 48 Hour Film Project were packed-lobby frenetic and a reminder of a different time. Here's hoping that something comes along soon to bring in some business.
For this author, there is a feeling of exhaustion, a dourness about the state of things. It is hard to embrace the changes that seem to be coming at an ever-accelerating rate. The future is unwritten, but it is hard not to see the writing on the wall.
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